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Bujold, Lois McMaster
Card, Orson Scott
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Heinlein, Robert A.
McKillip, Patricia A.
Nye, Jody Lynn
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Author: Doug Dorst
One book. Two readers. A world of mystery, menace, and desire.
A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown.
The book: Ship of Theseus, the final novel by a prolific but enigmatic writer named V.M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.
The writer: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumors that swirl around him.
The readers: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears.
S., conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand, and it is also Abrams and Dorst’s love letter to the written word.
- Ship of Theseus
- JJ Abrams
- Doug Dorst
- 1st Edition
|The Martian: A Novel
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Author: Andy Weir
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive—and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old "human error" are much more likely to kill him first.
But Mark isn't ready to give up yet. Drawing on his ingenuity, his engineering skills—and a relentless, dogged refusal to quit—he steadfastly confronts one seemingly insurmountable obstacle after the next. Will his resourcefulness be enough to overcome the impossible odds against him?
8 Tips for Surviving on Mars from Andy Weir
So you want to live on Mars. Perhaps it’s the rugged terrain, beautiful scenery, or vast natural landscape that appeals to you. Or maybe you’re just a lunatic who wants to survive in a lifeless barren wasteland. Whatever your reasons, there are a few things you should know:
1: You’re going to need a pressure vessel.
Mars’s atmospheric pressure is less than one percent of Earth’s. So basically, it’s nothing. Being on the surface of Mars is almost the same as being in deep space. You better bring a nice, sturdy container to hold air in. By the way, this will be your home forever. So try to make it as big as you can.
2: You’re going to need oxygen.
You probably plan to breathe during your stay, so you’ll need to have something in that pressure vessel. Fortunately, you can get this from Mars itself. The atmosphere is very thin, but it is present and it’s almost entirely carbon dioxide. There are lots of ways to strip the carbon off carbon dioxide and liberate the oxygen. You could have complex mechanical oxygenators or you could just grow some plants.
3: You’re going to need radiation shielding.
Earth’s liquid core gives it a magnetic field that protects us from most of the nasty crap the sun pukes out at us. Mars has no such luxury. All kinds of solar radiation gets to the surface. Unless you’re a fan of cancer, you’re going to want your accommodations to be radiation-shielded. The easiest way to do that is to bury your base in Martian sand and rocks. They’re not exactly in short supply, so you can just make the pile deeper and deeper until it’s blocking enough.
4: You’re going to need water.
Again, Mars provides. The Curiosity probe recently discovered that Martian soil has quite a lot of ice in it. About 35 liters per cubic meter. All you need to do is scoop it up, heat it, and strain out the water. Once you have a good supply, a simple distillery will allow you to reuse it over and over.
5: You’re going to need food.
Just eat Martians. They taste like chicken.
6: Oh, come on.
All right, all right. Food is the one thing you need that can’t be found in abundance on Mars. You’ll have to grow it yourself. But you’re in luck, because Mars is actually a decent place for a greenhouse. The day/night cycle is almost identical to Earth’s, which Earth plants evolved to optimize for. And the total solar energy hitting the surface is enough for their needs.
But you can’t just grow plants on the freezing, near-vacuum surface. You’ll need a pressure container for them as well. And that one might have to be pretty big. Just think of how much food you eat in a year and imagine how much space it takes to grow it.
Hope you like potatoes. They’re the best calorie yield per land area.
7: You’re going to need energy.
However you set things up, it won’t be a self-contained system. Among other things, you’ll need to deal with heating your home and greenhouse. Mars’s average daily temperature is -50C (-58F), so it’ll be a continual energy drain to keep warm. Not to mention the other life support systems, most notably your oxygenator. And if you’re thinking your greenhouse will keep the atmosphere in balance, think again. A biosphere is far too risky on this scale.
8: You’re going to need a reason to be there.
Why go out of your way to risk your life? Do you want to study the planet itself? Start your own civilization? Exploit local resources for profit? Make a base with a big death ray so you can address the UN while wearing an ominous mask and demand ransom? Whatever your goal is, you better have it pretty well defined, and you better really mean it. Because in the end, Mars is a harsh, dangerous place and if something goes wrong you’ll have no hope of rescue. Whatever your reason is, it better be worth it.
|Mr. Mercedes: A Novel
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Author: Stephen King
In a mega-stakes, high-suspense race against time, three of the most unlikely and winning heroes Stephen King has ever created try to stop a lone killer from blowing up thousands.
In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.
In another part of town, months later, a retired cop named Bill Hodges is still haunted by the unsolved crime. When he gets a crazed letter from someone who self-identifies as the “perk” and threatens an even more diabolical attack, Hodges wakes up from his depressed and vacant retirement, hell-bent on preventing another tragedy.
Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of highly unlikely allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady’s next mission, if it succeeds, will kill or maim thousands.
Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.
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Author: Gillian Flynn
Marriage can be a real killer.
One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.
Amazon Best Books of the Month, June 2012: On the day of their fifth wedding anniversary, Nick's wife Amy disappears. There are signs of struggle in the house and Nick quickly becomes the prime suspect. It doesn't help that Nick hasn't been completely honest with the police and, as Amy's case drags out for weeks, more and more vilifying evidence appears against him. Nick, however, maintains his innocence. Told from alternating points of view between Nick and Amy, Gillian Flynn creates an untrustworthy world that changes chapter-to-chapter. Calling Gone Girl a psychological thriller is an understatement. As revelation after revelation unfolds, it becomes clear that the truth does not exist in the middle of Nick and Amy's points of view; in fact, the truth is far more dark, more twisted, and more creepy than you can imagine. Gone Girl is masterfully plotted from start to finish and the suspense doesn't waver for one page. It's one of those books you will feel the need to discuss immediately after finishing because the ending doesn't just come; it punches you in the gut. --Caley Anderson
From Author Gillian Flynn
You might say I specialize in difficult characters. Damaged, disturbed, or downright nasty. Personally, I love each and every one of the misfits, losers, and outcasts in my three novels. My supporting characters are meth tweakers, truck-stop strippers, backwoods grifters ...
But it's my narrators who are the real challenge.
In Sharp Objects, Camille Preaker is a mediocre journalist fresh from a stay at a psychiatric hospital. She's an alcoholic. She's got impulse issues. She's also incredibly lonely. Her best friend is her boss. When she returns to her hometown to investigate a child murder, she parks down the street from her mother's house "so as to seem less obtrusive." She has no sense of whom to trust, and this leads to disaster.
Camille is cut off from the world but would rather not be. In Dark Places, narrator Libby Day is aggressively lonely. She cultivates her isolation. She lives off a trust fund established for her as a child when her family was massacred; she isn't particularly grateful for it. She's a liar, a manipulator, a kleptomaniac. "I have a meanness inside me, real as an organ," she warns. "Draw a picture of my soul and it'd be a scribble with fangs." If Camille is overly grateful when people want to befriend her, Libby's first instinct is to kick them in their shins.
In those first two novels, I explored the geography of loneliness--and the devastation it can lead to. With Gone Girl, I wanted to go the opposite direction: what happens when two people intertwine their lives completely.I wanted to explore the geography of intimacy--and the devastation it can lead to. Marriage gone toxic.
Gone Girl opens on the occasion of Amy and Nick Dunne's fifth wedding anniversary. (How romantic.) Amy disappears under very disturbing circumstances. (Less romantic.) Nick and Amy Dunne were the golden couple when they first began their courtship. Soul mates. They could complete each other's sentences, guess each other's reactions. They could push each other's buttons. They are smart, charming, gorgeous, and also narcissistic, selfish, and cruel.
They complete each other--in a very dangerous way.
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Author: John Grisham
Brand: Brand: Doubleday
John Grisham takes you back to where it all began . . .
John Grisham's A Time to Kill is one of the most popular novels of our time. Now we return to that famous courthouse in Clanton as Jake Brigance once again finds himself embroiled in a fiercely controversial trial-a trial that will expose old racial tensions and force Ford County to confront its tortured history.
Seth Hubbard is a wealthy man dying of lung cancer. He trusts no one. Before he hangs himself from a sycamore tree, Hubbard leaves a new, handwritten, will. It is an act that drags his adult children, his black maid, and Jake into a conflict as riveting and dramatic as the murder trial that made Brigance one of Ford County's most notorious citizens, just three years earlier.
The second will raises far more questions than it answers. Why would Hubbard leave nearly all of his fortune to his maid? Had chemotherapy and painkillers affected his ability to think clearly? And what does it all have to do with a piece of land once known as Sycamore Row?
In Sycamore Row, John Grisham returns to the setting and the compelling characters that first established him as America's favorite storyteller. Here, in his most assured and thrilling novel yet, is a powerful testament to the fact that Grisham remains the master of the legal thriller, nearly twenty-five years after the publication of A Time to Kill.
- Used Book in Good Condition
|Concealed in Death
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Author: J. D. Robb
The incomparable J. D. Robb presents the latest moving and suspenseful novel in the #1 New York Timesbestselling Eve Dallas series.
In a decrepit, long-empty New York building, Lieutenant Eve Dallas’s husband begins the demolition process by swinging a sledgehammer into a wall. When the dust clears, there are two skeletons wrapped in plastic behind it. He summons his wife immediatelyand by the time she’s done with the crime scene, there are twelve murders to be solved.
The place once housed a makeshift shelter for troubled teenagers, back in the mid-2040s, and Eve tracks down the people who ran it. Between their recollections and the work of the force’s new forensic anthropologist, Eve begins to put names and faces to the remains. They are all young girls. A tattooed tough girl who dealt in illegal drugs. The runaway daughter of a pair of well-to-do doctors. They all had their stories. And they all lost their chance for a better life.
Then Eve discovers a connection between the victims and someone she knows. And she grows even more determined to reveal the secrets of the place that was called The Sanctuaryand the evil concealed in one human heart.
|To Kill a Mockingbird
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Author: Harper Lee
Brand: Grand Central Publishing
The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.
Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.
"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."
Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.
Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber
- Gregory Peck
- Atticus Finch
- Boo Radley
- Truman Capote
|The Light Between Oceans: A Novel
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Author: M.L. Stedman
This months-long New York Times bestseller is “irresistible…seductive…with a high concept plot that keeps you riveted from the first page,” (O, The Oprah Magazine).
After four harrowing years on the Western Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby’s cries on the wind. A boat has washed up onshore carrying a dead man and a living baby.
Tom, who keeps meticulous records and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel insists the baby is a “gift from God,” and against Tom’s judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them.
Amazon Best Books of the Month, August 2012: Tom Sherbourne is a lighthouse keeper on Janus Rock, a tiny island a half day’s boat journey from the coast of Western Australia. When a baby washes up in a rowboat, he and his young wife Isabel decide to raise the child as their own. The baby seems like a gift from God, and the couple’s reasoning for keeping her seduces the reader into entering the waters of treacherous morality even as Tom--whose moral code withstood the horrors of World War I--begins to waver. M. L. Stedman’s vivid characters and gorgeous descriptions of the solitude of Janus Rock and of the unpredictable Australian frontier create a perfect backdrop for the tale of longing, loss, and the overwhelming love for a child that is The Light Between Oceans. --Malissa Kent
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Author: James Patterson
Private Jack Morgan investigates the disappearance of the biggest superstar couple in Hollywood.
Thom and Jennifer Harlow are the perfect couple, with three perfect children. They maybe two of the biggest mega movie stars in the world, but they're also great parents, philanthropists and just all-around good people.
When they disappear without a word from their ranch, facts are hard to find. They live behind such a high wall of security and image control that even world-renowned Private Investigator Jack Morgan can't get to the truth. But as Jack keeps probing, secrets sprout thick and fast--and the world's golden couple may emerge as hiding behind a world of desperation and deception that the wildest reality show couldn't begin to unveil. Murder is only the opening scene.
|Life After Life: A Novel
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Author: Kate Atkinson
"One of the best novels I've read this century. Kate Atkinson is a marvel. There aren't enough breathless adjectives to describe LIFE AFTER LIFE: Dazzling, witty, moving, joyful, mournful, profound."--Gillian Flynn, author of Gone Girl
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born, the third child of a wealthy English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in any number of ways. Ursula's world is in turmoil, facing the unspeakable evil of the two greatest wars in history. What power and force can one woman exert over the fate of civilization -- if only she has the chance?
Wildly inventive, darkly comic, startlingly poignant -- this is Kate Atkinson at her absolute best.
An Amazon Best Book of the Month, April 2013: Every time Ursula Todd dies, she is born again. Each successive life is an iteration on the last, and we see how Ursula's choices affect her, those around her, and--so boldly--the fate of the 20th-century world. Most impressive is how Kate Atkinson keeps the complexity of her postmodern plotting so nimble. Life After Life approaches the universe in both the micro- and macro sense, balancing the interior lives of Ursula's friends and family with the weight of two World Wars. (How many writers can make domestic drama as compelling as the London Blitz?) Life After Life is an extraordinary feat of narrative ambition, an audacious genre-bender, and a work of literary genius. --Kevin Nguyen
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